![]() ![]() It’s not as bafflingly offensive or unfunny as its immediate predecessor, but it certainly has touches of all of Bay’s worst qualities as a filmmaker. Dark of the Moon is easily the most audacious of the early Transformers movies. ![]() Even the jump from Bad Boys to Bad Boys 2 feels like a litmus test of how long audiences can withstand a concentrated dose of Bayhem, and the Transformers franchise escalates at even more of a breakneck pace. ![]() Dark of the Moon’s evocative brand of IP-driven chaos is not only the franchise’s last hurrah before cannibalizing itself, but also a thorough blueprint for the structure and visual spectacle of the 2010s blockbuster.Īlthough Bay's elasticity as a storyteller has allowed his style to be mapped onto projects ranging from romantic war epics to kinetic action buddy-comedies, within franchises it seems like the only place the filmmaker allows himself to go is up. The first movie’s worldwide gross of $709 million was almost seven times its budget, and despite Rolling Stone calling it a contender for the Worst Movie of the Decade, Revenge of the Fallen wrapped up its theatrical run with an astonishing $836 million.īut for Bay, making absurd amounts of money has never been enough: his style has always been a benchmark of ingenuity that Hollywood has chased, and the third Transformers sequel might just be his most earnest testament to that fact. As far as turning ‘80s childhood dalliances into solid gold bricks for investors, his Transformers franchise has earned a face on Mount Rushmore. There are smashing successes and embarrassing failures littering the graveyard of early 2000s summer action flicks, and leading the charge has always been Michael Bay. Back then, the Marvel Cinematic Universe was still in its relative infancy, James Cameron’s Avatar had recently become the highest-grossing film of all time, and the contemporary formula for the big-budget studio blockbuster hadn’t yet been refined to its zenith. 2011 was 12 years ago, but as far as the cinematic landscape goes, it might as well be an eternity both audiences and movies have changed considerably. ![]()
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